Mycorrhiza and.. more dragons

I’ve been spending a lot of time looking at plant roots and fungi in the microscope, and I have to admit it’s a little dull. That’s not to say I don’t like it, I mean the whole concept of mycorrhiza is super fascinating. If you’ve never heard of it, I’d highly recommend listening to the Radiolab podcast episode called “From Tree to Shining Tree“. Basically, plants and fungi actually form complex partnerships to help each other out. Nature never ceases to amaze, and it’s just another example of how little we really know about the world we’re stomping around on every day. Here’s a picture of an infected root that I took from the microscope:

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We treated the root sample (from our experimental wheat field) in the lab with a process that removes the pigments from the plant cells but stains the fungi with a dye so that they become visible to us. Sometimes environmental science is not so environmentally friendly.. and this bothers me.. but we can leave that discussion for another day. In this case the plant cells took on a bit too much colour but the fungi are still easy to spot as very dark, thin, gnarled looking threads. The samples are interesting, and beautiful, to look at and I don’t have to worry about my specimens swimming away or eating each other, but it’s just not as much fun as soil samples with living critters. These samples are very dead and analyzing them gets a bit boring after a while.

So, sometimes I feel a need to stretch my imagination at the end of a microscope session and draw some quick fantasy art, just to balance things out a little bit. I put on some music and just let loose with whatever comes out. I’m particularly fond of dragons lately. I think it’s because they are a loosely defined creature with a basic generalized form that anyone can modify to suit their own imagination. They can be mindless destroyers or keepers of ancient wisdom, depending on your mood or whatever books you’re into. There is no right or wrong with dragons, so as a perfectionist it’s a good exercise in letting go of the need to be accurate. Having said that, I have strong preferences about how to picture dragons, and I almost never see dragon art that really fits my idea of what they should look like, so I just make my own according to what feels right.

Here is the one from today:

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I only spent about two hours on this, so it’s not as “finished” as it could be but the point was just to get the idea out of my head and not spend too much time on it.

I legitimately felt bad painting the little deer there. But then I made myself feel better by saying that this dragon is so big it wouldn’t bother with the deer.. it would be like taking time to stop and eat a sesame seed. The deer obviously doesn’t know that so just imagine its relief when the dragon just passes right over it and continues on its way 🙂

Here’s one I did a couple of weeks ago. There have been a few more in between now and then but I haven’t finished those yet so they aren’t “postable” at this point. They’ll be done soon™.

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That one is way too dark. Maybe one day I’ll go in and add some flames or something to brighten it up but I wasn’t really feeling it at the time so I just left it. I mostly just wanted to experiment with a profile view since I’ve been doing a lot of front view dragons lately. This one was just quickly sketched out in maybe an hour or so, at the most.

If the speed seems surprising, it’s not because I’m crazy skilled or anything like that. Imagine painting with real paint, but you don’t have to spend all that time mixing colours. If you notice something that needs changing, you can just fix it in a few seconds without having to carefully mix up all the colours again and try to get it just right. That’s basically why digital paintings like these can be done so much faster than with real paint. I could do the same thing on a canvas in about the same amount of time if I had an infinite selection of premixed paint colours available. I’ve been working on some canvas paintings lately, and I find that while I do enjoy working with real paint, it really is a different experience and it can be more frustrating at times, but also more rewarding in some ways. I could go on all day comparing digital and physical painting but I’ve done that before in a previous post and I won’t go into it again. I like them both, we can leave it at that 🙂

 

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